📌 Masterpost

I’ve been doing a bunch of things here, so I thought a better masterpost was in order.

Main Stuff

Fandom

Bullet Journalling

I’ve had a bee in my bonnet for a while now over the concept of representation.

Every now and again, I hear someone complain that x person on x show is “bad rep”, maybe because they’re a promiscuous bisexual or a flamboyant gay or whatever, and I find myself wrinkling my nose because I don’t really…agree, and quite often those characters are simply good characters, so I don’t… see why this sparkling concept of Representation™ matters in this context?

And, like, don’t get me wrong - representation matters. Having representation on mass media matters so much, and having good rep matters too.

But I think I’ve narrowed down my issue with the concept being applied so broadly.

Before I get to that, let me dig into how I feel about ‘bury your gays’ in mass media. Many will not agree, which is fine, but my idea of 'bury your gays’ is that if your show has one lesbian and you kill her, you fucking suck. If your movie has one gay man and you kill him, you fucking suck (and so on and so forth). If your show has a bunch of lesbians and one of them dies, that isn’t bury your gays.

Similarly, in my opinion, if your show is something like Game of Thrones or The Walking Dead, where characters die all the time, killing a (or even the) gay character isn’t really bury your gays. It’s a little iffy if you introduce a replacement gay character in the same episode you kill the current one, but generally speaking killing gay characters in a show full of death is just… it makes sense? I don’t really want all gay characters to have magical plot armor for the rest of time because Bury Your Gays sucks as a trope.

Which brings us back to representation.

A few years ago, The 100 season 3 was filming, and the head writer Jason Rothenberg made a huge deal about Lexa, the lesbian Commander of the Grounder Coalition. He’d share bts shots of her actress, he’d talk about his pride in having her as representation, he’d get people to follow him on twitter to 'earn’ more bts shots, outtakes, bloopers, whatever, and then he killed her off 7 episodes into a 13 episode season.

And it was shitty. It was shitty because he built this self-aggrandizing, masturbatory back-patting club around himself and then killed her off and thought it was funny. It was shitty because at that time she was the only lesbian character in the show (we had Clarke, who was bisexual, but bisexuality and lesbianism are not the same), and it was shitty because it made no sense (but that’s an essay for a different post, frankly).

Lexa was representation because JRoth wanted her to be representation. He made a huge deal about her being representation and so she was.

Other shows, or books or movies or whatever else, do this too, talking about how their characters are representation in interviews or on Twitter, but often they don’t. Their characters are just… their characters.

Sometimes, people write characters because they want to write that character, because the tropes and traits involved in that character are true to the character being written, not because they’re Good Bisexual Representation or whatever.

I think when there isn’t an explicit goal to create representation, it’s rather unfair to get angry at writers for writing 'bad representation’ or just sub-par representation when the goal is simply to write an authentic character, rather than a specific sexuality to be held up on a display and presented for the world to see.

Not to mention that every time I see someone say, “This character is bad rep because they’re xyz trope!” I see someone else say, “Yeah… so am I… this character represented me so well…”

No group is a monolith! You will never represent an entire group in one character, not ever.

But I think the itch for me has always been, and continues to be, the idea of yelling at someone for poor representation without ever knowing if that’s what they were trying to achieve.

I don’t think Laenor in Fire & Blood was meant as Good Gay Representation, I think he was just right for the story, and the fact GRRM repeatedly includes queer people in his medieval fantasy as just a part of the world to me means so much more than him trying to shoehorn in a perfect example of representation. Similarly, I definitely don’t think Aneela and Kendry in Killjoys were meant as Good Lesbian Representation (far from it considering they both spent many seasons as villains), they were just good characters and having those two be who hooked up instead of Aneela and Johnny (a somewhat obvious direction for the show to go, if you ask me, had the show been more traditional with its tropes) or Kendry and idk Pree for the sake of horrifying example.

Trying to write perfect representation always ends in shallow, two-dimensional characters who inevitably let someone down, and slandering people who write three-dimensional characters for those characters being imperfect is cruel and unjustified and I think that is what’s been bothering me every time I see conversations about representation.

Not all characters are representation. Sometimes they’re just characters.

i have arrived at the conclusion that HotD changed daemyra from the books to have daemon be afr (away from rhaenyra) for ten years to make their relationship seem less groomy/creepy (which, i mean, she was 14 and saw him for five minutes, then she was nineteen or at least at marrying and procreating age and he took her to a brothel and didn’t fuck her when she was begging for it, it’s really not child grooming people insist it is) instead of leaning into the actual softness of he and his wife being close with she and her husband and how close she and Laena were until her death

and it makes me laugh because they really did all that and changed all that and had him so far away for ten years, just to then go ¯\_(ツ)_/¯ and have him commit domestic violence against her

amazing. excellent writing all around.

thewickedbohemian:

sixstepsaway:

I keep thinking about the TV ASOIAF adaptations lately, specifically about the fact there’s a demonstration within of how people, even TV writers themselves, are fundamentally misunderstanding fiction these days.

In reality, monarchy isn’t good, actually. People, especially in America which has been free of monarchy for a hot second (can’t relate 😔), mostly agree that a monarchy is a bad thing. There is some nuance to it (and some cultural differences and such), and I’m not going to delve into the nuance of that rn, but go on the basis that a good majority of the people TV writers in America are writing for are not pro-monarchy. I know there are exceptions, there will always be exceptions, but America is a [consults smudged writing on hand] democracy, I think this says? And that directly affects how people think about systems of power and government. Ergo; monarchy bad.

In fiction, it’s been the case for as long as there have been novels that people love to root for a presiding ruler. We love watching Peter, Susan, Eustice and Lucy ascend to the throne, we love debating who should sit on the Iron Throne at the end of ASOIAF, we love watching people fight wars for the right to rule, we love watching people fight and strive to reclaim their lost right to a throne. We enjoy that shit, much like we enjoy watching enemies fall in love or twisted tales play out in our hands or on our screens. We don’t want those things in reality, we wouldn’t want to turn on the news and hear how someone fell in love with the guy who broke into their house and tried to kill them, kidnapped them for a month and then let them go, just for them to hunt him down and make him marry them to get back at their mafia father for– Look, I got off track. The point is, we wouldn’t see that on the news or hear a friend talk about it as their experience and feel good about it, but in fiction it’s exciting, a fantasy to explore.

When Game of Thrones ended, I was baffled by the in-show conversation that led to Bran being crowned. Sam suggesting democracy felt odd, but I could see it, I supposed, but them deciding on a ruler rather than putting Jon on the throne, or Gendry ffs, felt hamfisted and strange.

We watched eight seasons of a show called Game of Thrones, just to watch them toss the board at the end and say, “The whole game is bad, actually! Why aren’t you reading a book instead of playing this?” and then shove someone on the throne anyway which was really weird and yeah.

I see similar sentiments with House of the Dragon. The writers seem to be writing under the baffling assumption that we’re all in agreement that Monarchy Is Bad Really, so no one is right to be trying to sit on the throne or reclaim their birthright, because they’re all bad for wanting to rule. The arguments that the Greens have just as much right to the throne as the Blacks is baffling considering Rhaenyra is the heir and the Greens are usurping (and they know it - else they would have simply contacted Rhaenyra and said, “Viserys has changed the plan, so we’re going to crown Aegon as is his wishes. Come to King’s Landing to participate” rather than sneak around and lock people up. They know they’re committing treason), as is the argument that everyone is equally bad actually.

I genuinely think it comes from a place of deep misunderstanding, where they (the writers, mostly, but I also mean a good chunk of the fandom) misunderstand the draw of a fantasy like ASOIAF is partially rooting for someone to sit on the throne and rule. We’re not watching fantasy with kings and queens and dragons and all of that so that the main characters can pat us on the head and say, “Monarchy is bad, actually, so we will instill a system of government based on votes and democracy, and you were silly to want your favorite to sit on the Iron Throne.”

I dunno, these thoughts are a little disjointed, but I’ve just noticed how people approach these things and it feels like a combination of forgetting fantasy =/= reality (like many in fandoms these days, ugh) and also failing to comprehend that what we like and enjoy in fiction is not what we want in the real world. We don’t watch horror because we want to see teenagers eviscerated, we watch horror because it’s a fun fictional fantasy to explore for a variety of reasons.

I just have noticed this trend and I wanted to verbalize it. It started with sex stuff (if you read about incest or non-con or abusive or toxic dynamics you must support it irl and that makes you bad) and now it’s slowly worming its way into other facets as well.

I have a sinking feeling that’s one of the reasons why GoT ended the way it did, with a weird little gotcha that Incest Is Bad, Actually. I’ve thought that for a while because of how they reunited Jaime and Cersei just for them to die together as incestuous lovers, and then had Jon kill his incestuous lover. I wonder if that has something to do with the reframing of Daemon as an abuser and wife killer (something he did not do in the books), as though they feel they have to reinforce that it’s bad, and Rhaenyra should be punished for seeking out such a thing.

I don’t know. I’m going to stop typing now. Like I say, it’s just thoughts.

Hot take but I think why monarchy works in fiction despite how it works in reality is because unless it’s a GOT-alike where 90% of the major characters are supposed to be morally questionable anyway monarchs in fiction tend towards actually being more morally good than monarchs in reality. So criticizing things like Disney Princess movies or more-conventional-high-fantasy for having good monarchs is like the larger-timescale version of saying Trump made it impossible to ever reboot The West Wing (as TWW presents American democracy as it’s “supposed to work” and was idealistic even for its own time and 90% of modern-made high fantasy (most of what fiction has this) unless it’s trying to be dark on purpose is as idealistic about “monarchy as it’s supposed to work”)

vergess:

Hey, y'all know the concept of intersex as a part of the trans community literally began alongside the trans community and our FORCED REMOVAL is actually VERY RECENT, as in it happened within YOUR LIFETIME.

‘abloobloobluh if you think intersex and trans people are the same thing you’re the real bigot’

This nonsense is LITERALLY just bog standard exclusionism which was started primarily by medical gatekeepers as a way to delegitimize both groups.

Like, by all means, pass around your 'these are two DIFFERENT GROUPS WITH UNIQUE NEEDS who can NEVER overlap or have any groupwide commonalities; all intersex trans Poole are actually extra rare double freaks!’ propaganda all you want.

Just know that it is propaganda.

Being intersex doesn’t make you transgender, but since the very second the concept of gender and sexuality began separating in culture, it sure as shit made you genderqueer.

The thing we as a culture have now decided to rename 'trans(*)’.

This whole fucking 'lets keep changing definitions until we can exclude the hermaphrodites and tell them its for their own good’ shit is exhausting.

Y'all are the fuckers who decided genderqueer was a dirty word that needed to be split and cleansed into 'nonbinary’ and 'trans.’

And the act of cleansing involved kicking intersex people out.

Then mocking us for using terms we ALWAYS HAVE.

Fuck off with your 'intersex is not inherently trans’ bullshit.

It always was, until y'all up and decided we needed to be eliminated For Our Own Good.

Fuckin.

This is 'bisexuals can’t be butch’ all over again.

Y'all ain’t slick.

And hey, for the intersex person reading this who is thinking with growing outrage 'I am NOT TRANS! I am a REAL man/woman with a DISEASE!’

You. Have. Been. Lied. To.

You are indeed a real man/woman! AND you can also be trans if you so choose, because gender roles ACTIVELY EXCLUDE AND EXTERMINATE YOU.

Two things can be true!

patema-introverted:

runawaymarbles:

unpretty:

unpretty:

mhalachai:

unpretty:

unpretty:

I HAVE BELLS

I PLAYED THE BELLS SO MUCH IT STARTED SNOWING ON MY DASH

assuming you’ve enabled 1-8 keys to play the bells, joy to the world is:

87654321

566778

88765543

88765543

3333345

4222234

321865434321

Jingle bells is: 

333 333 35123

4444 43333 3223 2 5

333 333 35123

4444 4333 554 2 1

twinkle twinkle little star:

1155665 4433221

5544332 5544332

1155665 4433221

this old man:

535 535

6543234

3451111 12345

5224321

the “dashing through the snow” part of jingle bells:

14321
1115432
25432
66535
14321
15432
22543 666 676521

“His Theme” (Undertale):

1541334 141334 1541334 146545

laputaindefrenchgirl:

the realm’s delight.

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Originally posted by helaenahightower

Rhaenyra.

How long has it been since I’ve fell in love with a character like I did with you? Your pain, your joy, your freedom and your fire. All of these things made you so unique and magnetic in a way that pushed me to be obsessed over House of the Dragon as a tv-show like I haven’t been in maybe a decade. 

WARNING : all spoilers. 

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Originally posted by gameofthronesdaily

‘Nyra, she embodies a moment of my life, she is a woman fighting the madness and the patriarchy but all the while owning who she wants to become. When Milly first appeared on my screen, her smille was blinding. The way she exhaled mischief and confidence bound me to her eternally in a way few characters ever did. No one wants to give her the throne when it begins, not even her own father but she asks him repeatedly through this first season, “if you want me to become your heir, fight for me”. Brave and Bold and Dragon. I love how she dares to ask for what she has been shamed for deserving, for what seems to be the toughest to ask. How humiliating it is but eventually she sees the bigger picture as she’s growing up and she goes for what she fucking deserves. 

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Originally posted by daemonsdarksister

She is both a giver and a receiver. I love how it’s pretty well depicted all season long. She’s choosing her lovers, the father(s) of her sons, but she gives away bits of her that she will never get back for the throne. These intimates little things which are hidden and kind of broken in the name of duty and what’s supposedly right. Morally speaking. Yet she’s untamed and fucks who she bloody wants.

Speaking of fucking, a scene truly embodies to me the sense of womanhood which is so often overlooked or not understood. When Daemon took her to that brothel in that scene, he lit flames in her. Suddenly, it’s all heated touches and urgency and she truly burns with her own desire for the first time in her life. He slices her open with lust and ablaze sensations. And she does meet him halfway with a desire so wild that it does burn him. And from my perspective, that lack of control pisses him off. She is more than that young thing that he thinks he can bend to his will. She is a Dragon. So eventually he leaves her there, but guess what? She still wants to have sex, she needs to have that orgasm. You rarely see a woman allowing herself to seek pleasure that way, and to actually find another partner in the minute or so to pretty much finish what Daemon started. That is one of the most powerful thing I’ve ever seen through a screen.

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Originally posted by cold-v0dka

So, she finds our dear Cole. And she has sex with him. Following that episode, another pivotal moment happens. He asks her, “Run away with me, become my wife and leave this life” for two reasons, he loves her and he is not fully comfortable with the fact that he broke his vows by having sex with her, that royal hypocrite. And she basically says, “I’m sorry, I like you, but I won’t leave the throne and my crown for you”, because, man that is the Iron Throne, duh. He is shocked. Here lays of one of the most iconic line “You want me to be your whore?” and that is truly, to me, the greatest accomplishment of this show. It’s a role reversal. Kings, men in general, are known to have mistresses and that is normal and not really criticized, but when a woman does? She’s slut shamed. Rhaenyra will forever suffer of that (besides the fact that Laenor is not the actual father of her sons) but she sticks to her wants. She said no. And she’s my hero.

The way House of the Dragon painted patriarchy and that specific pressure on women, from Alicent and that feet moment, to Vaemond screaming “She is a whore!” as precious last words, are real. I found it interesting how women are discriminated by duty and yet sexualized through pleasure, mostly their own, or then their lack of pleasure in this show. Usually, women are super sexualized through the eyes of men, but here Rhaenyra seeks pleasure for herself instead of trying to please someone else. It’s major to me, all season long. And the parallel of divergent growth between Rhaenyra and Alicent is smart that way. Rhaenyra never pretended to pretend, they all knew she was taking what she decided that she deserved when Alicent let herself get choked by her father’s greed and the weight of giving heirs and what is morally good ; what is even more interesting is that she turns to religion to find comfort in all the uncomfortable decisions she took. Again, quite hypocrite in my opinion but it draws the prism of patriarcal values found in most religions.

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Originally posted by ladiesofcinema

The suffering Rhaenyra goes through is kind of unbearable. She is selfish enough to protect what she deems to protect, and it’s taken away from her almost each time, Aemma, Alicent’s love, her innocence, Harwin, her father, Visenya, and most of all, Lucerys. That final frame in the last episode? Don’t get me started on how powerful it is. 

Daemon is the only constant in all of her losses. Daemon is hers from the first second they appear on screen together, and even she doesn’t have him right away, she never lets go, never stop loving him. She pursues and lives with the idea that they are meant to be together. Blood of my Blood. Incestuous ties apart, their relationship is beautiful. They earn each other. They support each other. They love.

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Originally posted by fantasyfey

I strongly think (look how my humor is edgy) that we should take pride in our sins because they make us more empathic with whom are struggling with the same guilt. By owning your mistakes, you make sense out of them, and it’s the only way, to me, to grow into a better version of yourself. When Lucerys says to his mother “I’m not like you, I’m not perfect” it does embody the weight of all her choices. Emma D’Arcy acting in that sequence are phenomenal. They are the purest form of devotion and it underlines flawlessly what it took Rhaneryra to be where she is at that moment of her life.

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Originally posted by bisexualtally

Rhaenys, as the Queen who Never was, went early on through the same misogyny as Rhaenyra. But she chooses to accept her fate and to play her part. I love the scene where ‘Nyra says “I will create a new order” and how Rhaenys scoffs and answers “Men would sooner put the realm to the torch than see a woman ascend the iron throne”, and well, ain’t that truth is our society as well?

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Originally posted by hopemikaelsongf

I will never be a son either. I can’t help but think how real this is. They make a burden out what is our greatest power. Womanhood is where truly lays the most creative form of all. Was it really that doomed from the start? Can’t women be deserving to be on that fucking throne? This might be a show about Dragons and Kings but this is in its essence a show about how women deserve more, if not all.

+ side note : I met Milly Alcock last month, and she is the cutest and so radiant! I was lucky enough to speak with her a few words and get her to sign one of my portrait of her as Rhaenyra. Lucky bitch indeed.

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Rhaenyra, in your spirit, I’ll allow myself to take things I want but not only the one which I need, but also the ones that I deserve. This is what this endless fight is about. I will try to create a new order and I won’t shy away from a little bit of blood, because I think I have the fire of the Dragon too. 

-Audrey

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Originally posted by lisa-reisert

keuhkopussirotta:

in Finland, it is illegal to kill a bear when it’s hibernating. If you ask a hunter why that is, a number of them will tell you it’s wrong simply because it is the law, and they don’t make a distinction between what is right, and what is legal. Most people like that are perfectly normal, decent and respectable people, just like the rest of us.

 But if you ask people who think about things, the answer is vague. Killing a hibernating bear would just feel… impolite? You can’t fucking shoot a man when he’s sleeping, that’s just fucking rude. It’s just not the right thing to do.

 Long before hunting laws were established in Finland, you couldn’t kill a sleeping bear, and what commands you is something older than law: tradition. Even at a time when hunting was a matter of life and death, and a bear fighting for its life is mainly a matter of death, you just didn’t kill a hibernating bear, you have to wake it up first. Hunters risked their lives, the lives of their brothers and everyone in the hunting party, who were friends, family and men that they loved, to give the bear a fighting chance.

 In the modern time, the hunting season of bears is in the summer, for the warmest summer months. There are many reasons for why they are allowed to tread safely in autumn and to sleep in peace through the cold months, almost all of which are rational and scientific, and do not touch the old traditions.

 Old faith says a living thing has many souls - henki, luonto, itse. Plants only have one - the one that wills them to grow. Animals have two, both the spark of life and nature that enables them to act. A human being also has the third, one that makes them a person, personality, itse, literally “self”. But the soul that travels in your dreams is not the soul that defines a human - animals have that one as well. When your dog runs in her sleep, her soul is elsewhere, where a dog is needed.

 One’s waking soul is elsewhere when they sleep and dream. A bear’s soul is somewhere else when they are hibernating - there are two words for “hibernation” in finnish, one of which is talviuni, “winter sleep”, and that is the one that bears have - and if you kill a sleeping bear, their soul is not in the body, it is still out there, and it can find you, and as a revenge for killing its body, Ghost Bear will kill your entire fucking family.

kaity–did:

kaity–did:

kaity–did:

kaity–did:

kaity–did:

kaity–did:

watching a human being learn to walk and experience the world around them as like a sentient being and not a newborn blob is so buckwild.

She’s blowing kisses to her reflection that she thinks is another baby in the secret room. Toddlers are so smart but so dumb I love this little idiot.

I don’t know how to explain to her that when I ask for a kiss and she shakes her head no that can be the end of the discussion. She doesn’t have to come headbutt me instead

Also explaining that sometimes she can’t make all the decisions is BUCKWILD like trying to explain to a tiny drunk person that actually yes we do need to keep our clothes on is like a wild experience

Did you know that being nice to our bodies and other peoples bodies actually means not hitting them and doesn’t mean force feeding mommy wooden blocks? Cause my toddler didn’t. Still doesn’t.

A fun thing a toddler CAN apparently do is get ahold of your phone and call HALF YOUR COMPANY ON A TEAMS MEETING, SAY NOTHING, HANG UP, AND THEN SEND 10 GIBBERISH TEAMS MESSAGES to the point where your boss messages you and asks if you are okay.

viwan themes